Why I’m Going Indie: An Anti-Self-Publisher’s Perspective
Longtime readers of this blog will be aware of my harsh opinions about self-publishing. The title of this post is intentionally inflammatory to highlight a point which I hope will be clear by the end of this post. I consider myself exceedingly critical of the concept of self-publishing, not because I think SPing is inherently wrong or improper, but because the field of self-publishing, if one can call it that, is flooded with people who lie or misrepresent traditional- and self-publishing. This is not something you see on the other side of the scale; there are so many writers and authors and editors writing about how hard it is to be traditionally published, and what you have to go through to get there — it’s a gruesome process, after all. I have a tag devoted to these issues. Perhaps this is why some of you may be surprised that I am doing an indie/self-publishing project (namely, podcasting the rewritten version of The World in the Satin Bag and putting together an ebook version to be released later). Why would I put my feet into the self-publishing bucket when I’ve been so critical of it in the past? There are a number of reasons for why I’ve gone indie with WISB. I’ve never been interested in sending it to a traditional publisher, for starters. The book has been sitting on this blog for years, and traditional publishers are generally averse to blog novels, unless it’s extraordinarily popular (some podcasters have had their books picked up, but you already know that). But I also don’t want the novel to sit on this blog and fester, which is what it has been doing for the last four years. In a lot of ways, letting it sit as long as I did was a good thing, because by going back to it now to rewrite it has taught me how far I’ve come as a writer. If you look at the old version, it is absolutely dreadful; the new version, which I’m now podcasting, is a million times better and reflects more of what I think are my strengths as a 27-year-old writer. But now that I can see how far I’ve come, I don’t want WISB to sit; I want it to be more productive for me. But that isn’t a terribly good reason (in my mind) to self-publish. After all, there are plenty of things I’ve written that I’ll never publish in any form, either because they’re terrible or they’re too damned weird or “literary” to have much of a place. Maybe I want those stories to be found in my attic one day…Here’s looking at you, Kafka. The reality is that I’m self-publishing WISB as a podcast and an ebook because the field really is changing. The more I read about all the work the major publishers want me to do on my dime, the more I feel like I should try doing it on my own at least this once. I’ve written about why I think publishers are shooting themselves in the foot. The way publishers have been treating ebooks and authors (not exclusively, such as in the case of Angry Robot, who seem to approach ebooks intelligently) is one of the many reasons why so many self-published authors are doing remarkably well without needing major publishers at their back. We’ve heard the names: J. A. Konrath, Amanda Hocking, and so on. Even Michael R. Hicks, who I have begun talking to on Twitter, is doing astonishingly well as an ebook author, so much so that he is quitting his day job of many years to pursue writing full time (see his sales figures here). I certainly don’t agree with everything Konrath says (he perpetuates falsehoods more than he does truths based on my limited experienced with his writing), but it’s hard to ignore how ebooks have changed what is possible for self-published authors. There are still hurtles (many of them, in fact), and there are still crappy books, bad authors, and shady practices (though I think it’s safe to say that vanity publishers are going to get even more unethical in their business practices in order to hold onto their clients, in part because it’s so damned easy to release ebooks on your own through major ebook retailers). But the field is not the same as it was two years ago. Some of the same problems from the old days still exist, but now the new problems are good problems to have (how to be a better writer, communicating with readers, formatting books, producing quality material and product, etc.). Traditional publishing has changed some, but most of the good changes have been made by the smaller presses, rather than by the big guys. Big publishers are slightly less interested these days in quality material than in the value customers will put on it by spending their money. This is not true of all imprints, as some of the best ones (Tor, etc.) produce some amazing works of fiction, but the more you look at what is on the bestseller list, the more you see books that critics would have used as toilet paper 100 years ago, not because the critics are pretentious assholes, but because a lot of published books are like comparing a McDonald’s cheeseburger to a real cheeseburger. When someone like Sarah Palin can make millions from a book that would give a fact checker ten brain aneurysms in a row, you know the quality of the industry has taken a stab in the heart. That doesn’t mean that I am throwing WISB out there as a podcast and ebook in order to be famous and to make lots of money. The podcast certainly has a financial hope attached to it, but the ebook side of things is really my attempt to test the waters and do something with a project I was otherwise going to let die. I’m still writing short stories and publishing them the traditional