November 2011

SF/F Commentary

RIP: Anne McCaffrey

It seems that Anne McCaffrey, one of the great science fiction writers, has passed away. Needless to say, the genre community has suffered some big losses in the last few years.  McCaffrey will be remembered for a long time to come, if not for being a great writer (she was), then certainly for helping shape genre fiction (she did).  She’ll be placed along side E. E. “Doc” Smith, Isaac Asimov, Octavia Butler, Robert Heinlein, Poul Anderson, Joanna Russ, and many more. We’ll miss you, Anne.

SF/F Commentary

SandF #6.2 (Magical Realism and Book Love w/ Jason Sanford) is Live!

Jason Sanford joins Jen and I for another riveting episode of The Skiffy and Fanty Show.  Okay, so it might not be so riveting, but we’re pretty sure it’s at least moderately interesting.  Or maybe not.  We’re biased! To the point:  this latest episode involves a short discussion of some interesting news going on in the SF/F community, a roundtable on magical realism (which is sure to annoy some people), and a long game of book love, in which we tell the world what we want for Christmas. We hope you’ll tune in, but most of all…we hope you enjoy it!

SF/F Commentary

Science Fiction = Naturally Optimistic

Nothing I will say here should be misconstrued as “original thought.”  Rather, these are the things that spring to mind when I read posts like this one by Bryan Thomas Schmidt on how science fiction lacks optimism and hope. But before getting into the reasons why SF is naturally optimistic, I want to explain where I am coming from.  In a general sense, the world today appears to be in a worse position than it was at the height of the Cold War (a culturally relative position, to be sure).  We still live in a time where nuclear weapons are a legitimate threat, but also in a time where economic-, environment-, and resource-based threats are immediate and unavoidable.  When you break down the troubling world in which we live on the individual level, what you get is an existence which is, in and of itself, perpetually tenuous.  In the United States (where most SF is published), these facts are incontrovertible, and have been for the last 30-40 years, when sweeping reforms to our country reached the tipping point as politicians and corporations sought to deregulate and otherwise neuter the social safety nets put into place from WW2 to the end of the Vietnam War. It’s from this position, then, that I arrive at the central rationale for considering SF as inherently optimistic.  For me, waking up is the most optimistic thing about life.  Because at the end of the day, I am still alive.  I could be dead or dying.  I could be suffering endlessly.  I could be in a million other possible situations that would make waking up anything but a blessing.  But I’m not.  I awake, crawl out of bed, and go about my life — which may or may not be as great as I would like (or as great as it should be), but is at least marked by that most wonderful of optimistic realities.  Life. And that’s where we have to start.  Because SF, at its heart, is almost always about humanity in a state of persistent existence.  SF isn’t just set in the future; it is set in a future in which we still exist.  If you can’t find optimism in that, then you have not only lost touch with what is wonderful about life itself, but also with why SF is a grand genre.  While it’s true that SF has grown less adventurous in terms of its narratives (that is that much SF, though not all, avoids the adventurous nature of the pulps and the Golden Age in exchange for a more well-rounded and “real” approach to the world — SF = always about the present), it has done so without losing the inherent optimism of its makers. Yet throughout all of those dystopias and (allegedly) negative narratives, we find heroes and natural optimism.  The world is always getting better in SF, even when the story we’re presented appears to show us moving backwards.  We’re not only still around, but we’re creating spaceships, building new civilizations, surviving plagues and other ills, and otherwise doing what humans have done best since the first humans left the African plains tens of thousands of years ago.  Surviving.  And in the middle of it all, we find heroes, who may be just like us, just like we want to be, or something else entirely.  But they are heroes nonetheless, doing the job of solving problems, defeating “enemies,” etc. And if you can’t find optimism in that — in reading about man confronting new problems in the future, whether on Earth or in space, whether in a dystopian landscape or a relative utopia — then perhaps the problem isn’t that SF appears to be less optimistic; rather, perhaps the problem is that we’ve forgotten what it means to be surprised when we see people just like us in stories set so far ahead. I don’t think the sensawunda died.  I think we killed it by making SF into something it could never be.

SF/F Commentary

Video Found: Astronauts Falling on the Moon

I giggled while watching this.  It’s hard not to.  The falls are hilarious, but you can also imagine how frustrating it is to get tripped up for almost no reason so many miles from home.  You come hundreds of thousands of miles only to trip over air and fall flat on your face… Here’s the video:

SF/F Commentary

Science Fiction as Semi-Experimental Teaching Practice

I don’t know if what I did today in my ENC 1101 class (intro to college argument) could be called properly experimental, but it was certainly science fictional.  I’ve been doing a lot of playing around with education as of late, in part because I find the traditional educational forms rather dull as models for teaching traditionally dull classes.  As I mentioned here, my 3254/2210 (professional communication or tech writing) class has become a test bed for an educational card game, which I am now developing into a proper educational tool for others who teach the course.  And I expect a great deal of experimentation to come in the future. Today’s post isn’t about 3254, though.  It’s about 1101 and what happened when I inserted a heavy dose of science fiction into an educational environment.  Here’s the recap: What my students were reading: An essay called “Ethics for Extraterrestrials” by Joel J. Kupperman, published in American Philosophical Quarterly in 1991 (Vol. 28, No. 4).  Kupperman posits a scenario in which an alien species known as the Throgs, who are technologically (and, perhaps, intellectually) superior, have taken to flaying humans for unstated (or unclear) reasons.  What follows is a brief exploration of several moral/ethical positions, from which Kupperman tries to determine whether any human ethical models would have a reasonable chance of convincing the Throgs not to flay us. What I did: I created a detailed (though brief) scenario involving two imaginary species of alien who have been in conflict for hundreds of years.  The class would divide into two groups (representing each side) and debate in the form of speeches to a small number of their peers (representing the Interstellar United Nations).  The purpose of the exercise was to put the students in two unique positions, in which the moral and ethical ground from which each species could argue was by no means absolute (i.e., there was no pure right and wrong response). What was on the agenda: A quiz on Kupperman’s essay. A thought experiment in which two alien species had to present ethical arguments in favor of their particular position (group Y wants to be granted planethood in the Interstellar United Nations; group X believes allowing planethood for group Y would be a bad thing — basically). A small group of students (and the person evaluating me during class, as happens once a year) were tasked with determining which group made the better argument. Here are the slides: What happened:Both groups took the exercise relatively seriously, with some students participating more vigorously than others.  I suspect much of this has to do with the fact that free pizza was on the line (which all of them are going to get in the end anyway, because I’m like that).Group Y (who amusingly renamed themselves after one of the judges — the Shannonites), took to arguing why continued denial of sovereignty (my words) meant contemporary Shannonites were being punished for behaviors for which current generations were not responsible.  Revenge, therefore, was a poor excuse for denying people the right to participate in the interstellar community, particularly since contemporary Shannonites were willing to acknowledge that the war was a terrible response to the partition.  One student argued that the Shannonites were clearly interested in a peaceful transition, since they were going through the “proper channels” to achieve peace.Group X (arguing against planethood) renamed themselves the Free Masons and made a logical argument about why the recent aggression by the Shannonites should deter any consideration of planethood.  While they acknowledged the temporal distance of the Collusis-Free Mason War, they also were quick to remind the IUN that guerrilla campaigns were still being waged by the Shannonites — if not by government decree, then at least by personal choice.  This meant that the Free Masons were under strain to maintain order and protect citizens from attacks on territories currently owned by the Free Masons.  The argument was a solid one, since it played heavily on the ethical implications of allowing an apparently aggressive group wider access to the political community.But where the Free Masons fell from the diplomatic tree can be summed up by a direct quote from the debate:  “We own you.”  The Free Masons, in a rebuttal, argued that one of the consequences of war is the complete loss of property and planethood.  In effect, the Shannonites were no longer Shannonites, but Free Masons — except, obviously, in spaces relegated to the Shannonites.The Shannonites responded by pointing out that the Native Americans on Earth were treated similarly, and that such behavior doesn’t make one right (an inaccurate example, for obvious reasons).  But they also reiterated why revenge (or consequences) is unfair to contemporary Shannonites, and also a poor excuse for aggression and alien rights abuses.The result of the debate hinged on this major exchange.  The judges believed the Free Masons had made a stronger argument, except when they exposed their imperialist/colonialist/aggressor status by uttering “we own you.”  Therefore, they decided the Shannonites should be granted planethood.  The Shannonites, oddly enough, actually cheered (not because they were getting pizza, but because a number of the students pretending to be Shannonites — and those in the Free Mason camp — started to adopt the mentality of their alien masks — in a superficial way, certainly).What I thought:In the end, I was quite pleased by the experiment.  While there were certainly flaws — many of which were exacerbated by the 50-minute time limit — I would say that the entire thing was a success.  And the experience has led me to wonder whether it is possible to create an introductory course like 1101 within the confines of a fictional — though allegorical — universe.  Would such an experiment work on such a large scale?  Could it be sustained?  Would students still learn from the experience, or would the knowledge they acquire be useful only in the context of the course?  I think students would still pick up information about argumentation and writing, but I

SF/F Commentary

Haul of Books 2.0: Books Received Vol. 5

I’m late as heck at getting to all the books I’ve received recently.  Just wait until I decide to crack open the books I bought at the local book sale (for research purposes, primarily — no, I’m not joking). What I want to know is: What have you purchased recently? Which books below most interest you? Here’s the list: After the Apocalypse by Maureen F. McHugh (Small Beer Press) The apocalypse was yesterday. These stories are today.   In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we’d do to survive the coming zombie plague. Antiquitas Lost:  The Last of the Shamalans by Robert Louis Smith (Medlock Publishing) Move over Harry Potter. From American cardiologist Robert Louis Smith comes the unique fantasy novel Antiquitas Lost, peppered with more than seventy eye-popping illustrations by Marvel Comics legend Geof Isherwood. This epic fantasy tale tells the story of a boy named Elliott, a lonesome kid with deformities on his hands and feet, who is uprooted from his home after his mother falls gravely ill. When they move to New Orleans so his grandfather can help care for her, Elliott learns that the old man’s eighteenth century mansion hides an ancient secret. While checking out some strange relics in the basement, Elliott strays through an ancient doorway into a tumultuous parallel world, full of bizarre creatures and warring races. He has stumbled into Pangrelor, the most ancient of all worlds and “mother to all the stars in the sky.” As he learns to navigate his new surroundings, he discovers wondrous abilities he never dreamed he possessed, and an abiding connection to the primitive, alien world that will forever change him. To Sleep Gently by Trent Zelazny (Crossroads Press) When career criminal Jack Dempster gets caught and put away for five years in prison, he finds time to seriously reconsider his chosen line of work. Before he can make any serious decision, some old acquaintances track him down with a proposal. They want him to go to Santa Fe, New Mexico. With the help of an inside man, he’s to lead a small group of professionals on a daring robbery of the El Dorado Hotel, one of the finest, and most secure establishments in the Southwest.   Double-crosses, love triangles, and immersion in his own self-destructive past conspire to lead him to ruin. It’s not easy to sleep when searching for normalcy in the heart of a brutal past.  The Crimson Pact (Vol. 1) edited by Paul Genesse (Alliteration Ink) The moment of the demons’ defeat became their greatest victory.  In the carnage after the last great battle against the demons, a doomed general discovers their hidden victory. Instead of being annihilated, unspeakable evil escaped into many unsuspecting worlds. To fight them, the men and women of the Crimson Pact must sacrifice everything—including their own lives.  Explore 26 stories based on the world created in “The Failed Crusade,” by Patrick M. Tracy and included in The Crimson Pact Volume 1, about the valiant men and women who refuse to let the demons win, and those unfortunate souls caught in the epic struggle raging across the multiverse.  New York Times Bestselling author and Campbell award nominee, Larry Correia, and many urban fantasy, steampunk, sci-fi, horror, and fantasy writers tell the tales in this diverse collection of short stories, flash fiction, and novellas.  With stories by Patrick M. Tracy, Richard Lee Byers, Jess Hartley, Donald J. Bingle, Chris Pierson, Barbara J. Webb, Kelly Swails, Sarah Hans, Patrick S. Tomlinson, Sarah Kanning, Isaac Bell, Elaine Blose, Kathy Watness, Daniel Myers, Justin Swapp, Rebecca L. Brown, Gloria Weber, Garrett Piglia, T.S. Rhodes, Lester Smith, Chanté McCoy, Suzzane Myers, EA Younker, Craig Nybo, and Larry Correia.  Join the pact. Fight the demons now.*  * Note: The proceeds from the sale of this book go to the continued eradication of every red-eyed, soul-stealing, shadow-lurking, flesh-eating, baby-stealing demon in the entire multiverse. The Crimson Pact (Vol. 2) edited by Paul Genesse (Alliteration Ink) The Pact is back and demons are as devious as ever in The Crimson Pact Volume 2.  Read 28 original stories (over 500 pages in print!), including many sequels to stories in volume one. Suzzanne Myers’s powerful flash fiction piece, “Withered Tree” continues with the exceptional short story, “Seven Dogs.” Chanté McCoy’s “Inside Monastic Walls” is followed by the literally gut-wrenching follow-up short story, “Body and Soul.” Urban fantasy mayhem is off the charts with rising star Patrick Tomlinson’s “Monsters in the Closet” and D. Robert Hamm’s “Karma.” Steampunk your thing? EA Younker’s steampunk apocalypse tale “Stand,” Sarah Hans’ sequel about professor Campion, “A More Ideal Vessel,” and Elaine Blose’s steampunk Western “Wayward Brother” will whet your appetite. The dark fantasy and adventure continues in “Dark Archive,” Sarah Kanning writes how Danielle from “Hidden Collection” must deal with the lingering effects of being possessed by a demon. Volume two mixes sequels from Gloria Weber, Justin Swapp, and Isaac Bell with new stories from Lester Smith, K.E. McGee, Adam Israel, Valerie Dircks, T.S. Rhodes, Elizabeth Shack, Daniel Alonso, and Nayad Monroe.  New York Times Bestselling author and Campbell award nominee Larry Correia presents an exclusive short story, “Son of Fire, Son of Thunder” co-authored by Steven Diamond, about an FBI paranormal investigator and a bad ass marine who knows the exact moment of his own death. Travel to the alternate history Earth of the “Red Bandanna Boys” by Patrick M. Tracy and find out how ruthless you have to be to survive the slums of St. Nikolayev. Follow “The Trail of Blood” by Alex Haig, a horrifying Western about a bounty

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