SF/F Commentary

Top 10 Blog Posts for February 2014

And here they are: 10. Why I Haven’t Babbled About the Hugo Awards…Yet 9. Book Review: Tarnished by Rhiannon Held 8. Top 10 Science Fiction and Fantasy Anime Movies 7. Censorship is what people say when they don’t want to address the actual issue…for reasons 6. How to Destroy the SFWA…err, no, I’m not going to talk about that after all 5. Moderating the Community and the Cost of Respect 4. Top 10 Science Fiction and Fantasy Movies Since 2010 (Thus Far) 3. Top 10 Overused Fantasy Cliches 2. On the SFWA Bulletin Petition Thing Nonsense 1. Movie Review: Riddick (2013) (or, I’m Going to Mega Rant Now) I am genuinely surprised that my review of Riddick remains one of my most popular posts this year.  Interesting… For anyone curious, I’m currently using Google Analytics for the numbers.  I don’t think they’re entirely accurate, but the stats in Blogger are currently flooded with hits from the spam accounts that targeted me last month.  Some posts were artificially amplified by that; GA mostly removes spam hits, but it also removes repeat visits and anything else it assumes isn’t an “original visit,” which seems fairly wide in scope.  So it’s a little difficult for me to figure out what is super popular right now…  Oh well!

SF/F Commentary

Post-Post-Event Thoughts on Loncon3 and Jonathan Ross

Jonathan Ross is not hosting the Hugos this year.  He’s made what I think is the right decision and stepped down.  If you have no idea what I’m talking about, then you missed all the “fun” on Twitter.  You can get a decent overview of the situation over at The Wertzone. In any case, what I’m going to talk about here aren’t the things everyone was throwing out on Twitter — mostly.  Here, I’m interested in some of the whys and hows and whats that are underneath all of this and why, ultimately, Jonathan Ross was a poor choice within the current climate of sf/f. First, I’ll say that I hold no animosity towards Ross.  I don’t know the man, as you’d expect, and have, in fact, viewed some of his material and found him rather amusing.  I also agree with Adam Whitehead that the motivation to bring in Ross, who himself is a supporter of sf/f and its various properties, is a good one:  high profile tv personality who happens to be a vocal fan = good for business. But the problem Ross posed was two fold:   1) He is, as Whitehead and Farah Mendlesohn (who stepped down from the Worldcon committee over Ross’ appointment) and others have noted, a divisive figure, most notably because his comedy has frequently gotten him into trouble.  You can read about some of that on his Wikipedia page or here. If I’m fair to you and myself, I have found some of his more offensive jokes humorous, though not necessarily the ones most have cited (mostly because I wasn’t there and don’t have the full context in which these things were said).  In fact, I’ve enjoyed other shock comedians such as Jimmy Carr from time to time, though even he crosses lines I just can’t handle (rape jokes are not funny to me).  The question, in my mind, is not whether it personally offends me or other individuals, but the repercussions such offense has on the larger community.  I think it was Kate Elliot who noted on Twitter that individual acts aren’t the problem, but a collection of those acts adding up to a whole.  Which leads me to… 2) The sf/f community is, as Charlie Stross rightly asserts, in the middle of a serious discussion/debate about inclusion (a.k.a. house cleaning).  Though I seriously doubt that Ross would have treated sf/f fans with ridicule, there is the very real problem that Ross’ public profile poses for sf/f fans:  in certain respects, his comments damage the potential for a safe space.  It doesn’t matter that Ross’ comments are frequently meant in jest.  We live in a society where these types of things are also said with the utmost seriousness, such that people who are attacked for (seemingly) being “overweight” or “white and adopting non-white children,” for example, do not necessarily feel these jokes as jokes.  For them, these sorts of comments are not unlike pouring lemon juice in a wound and saying “but it was only a joke; why did it hurt you so much?”  This is why Seanan McGuire went on her mini-Twitter rant about feeling anything but safe at the Hugos.  She has previously been in that beautiful front row for nominees, and may appear there again in the future.  She is a prime example of this problem. There is also another side to this:  in the interest of creating inclusive spaces for people, we have to realize that in the absence of those spaces, humorous pokes at previously excluded individuals just reminds them how much they are not in this community.  Everyone’s experience varies, of course, but the sad fact is that we do not exist in an sf/f community which has set aside its sexist past en total (or its racism, for that matter).  It’s still here, albeit missing one of its scaled legs.  It’s still fighting to keep things like they were.  That’s why there is such a concerted effort to push sf/f forward so those excluded-now-included groups can feel at home. However, the pain doesn’t go away just because we include people.  The pain goes away when their inclusion is coupled with a sense of safety:  the idea that you won’t be harmed, cast out, or burned for being a woman or person of color; that any criticism you receive is, with exception, appropriate, not a reflection of an individual’s opinion of you based on factors you cannot control.  That your weight or your health conditions are not the subject of public scrutiny as a method for discarding your worth as a contributor to the community. Our community is not safe yet.  It’s not.  Seanan McGuire doesn’t have the benefit I have:  she doesn’t always feel safe because things happen to remind her how far away from others she is/was/might be/could be.  Me?  I’m going to be cast out if I say something monumentally stupid.  If I do something horrible.  I’ll be cast out because I did something, not because I’ve got some stuff dangling between my legs or because of my heritage or because of where I was born.  That’s an important distinction. Now, does this mean Ross can never be a part of sf/f?  No.  Does this mean he can never host the awards?  No.  But it does mean that the decisions our entities make need to keep in mind their long term impact.  I’m not sure Ross would have been so good for sf/f.  He might have brought a lot of attention with him, but it’s also possible he would have done a lot of damage to a field which is still trying to figure out how it can include everyone without pissing on everyone’s toes.  We’re just not there yet.  Maybe one day soon.  Then, perhaps Ross will return. —————————– A few corrections from my day of Tweeting: I originally argued, as many have, that Ross shouldn’t host because he’s not a fan.  I was flat wrong on that front, and tried

SF/F Commentary

Link of the Week x2: “World SF is the Diversity Our Community Needs” at The Book Smugglers

In case you missed it, I also have a post up at The Book Smugglers today.  It is also on world sf, though on a slightly different aspect of it.  Do take a read, if you get a chance.  Thanks to the fine folks over at The Book Smugglers for allowing me to suck up some space for my thoughts! And if you want to help me get to Worldcon, please consider supporting my fundraiser.

Book Reviews

Book Review: Tarnished by Rhiannon Held

(You can see my review of the previous novel, Silver, here.  I’ve also conducted an interview with Rhiannon about Tarnished.) Back in 2012, I interviewed then-debut novelist Rhiannon Held about Silver, a new urban fantasy novel involving werewolves (oh noes).  In truth, I was skeptical at the time; I didn’t think much of urban fantasy when I started conducting podcast interviews, and so I thought to myself that this book would confirm everything I thought about the genre.  It didn’t.  While it wasn’t the strongest novel of its kind, Silver provided enough compelling material to keep me riveted until the end.  In particular, I loved Held’s anthropological view of the werewolves, taking what could have been another cliche and giving it the kind of rigor one might expect of a secondary world fantasy — a short one, of course.  Tarnished continues the Held tradition, adding depth to an already compelling and complex world.  If this trend continues, I expect Reflected, which is set to drop soon, will keep me riveted as much as this one. Set immediately after the events of Silver, Held’s second novel follows Dare and Silver as they decide the next course of action:  keep control of the Seattle pack (werewolf alphas assume the name of their pack) or find a new home elsewhere.  But being alphas means eventually having to face your past, and both Dare and Silver are haunted by where they’ve been and what it might mean for the future.  Now, it’s Dare’s turn for his past to bubble up and make a mess of things:  Sacramento still holds a grudge due to the death of his son, John, the former Seattle alpha, has sired a child with Susan, a human, and Roanoke, who Dare believes is unfit for leadership, may have dragged something else from Dare’s past into the mix, making a challenge for control of Roanoke more difficult indeed.  Handling the complicated social politics of werewolves is no easy task, but together, Dare and Silver hope they’ll be able to pull it off… Overall, I enjoyed Tarnished, in no small part because I got a lot of more of the things I loved about Silver.  Held’s characters remain compelling, especially Dare and Silver, who continue to grow into themselves and their relationship to one another — yes, I’m a sucker for a well-written romantic entanglement.  Tarnished seems to put a great amount of attention on Silver here, though I’m not sure if that’s actually true, since I haven’t read Silver in quite some time (I’ll talk about this more below).  Likewise, the novel is mostly paced well, with a simple, though efficient style that doesn’t get bogged down in description while losing none of the necessary characterization.  Essentially, this is exactly what I want to see happen with a formerly-debut author:  improvement, growth, and efficiency. Tarnished is, as such, strongest when it focuses on the complexity of werewolf society.  This is particularly true in the last third of the novel, where Held presents us an event called the Convocation, in which werewolf packs meet to discuss and debate werewolf issues on neutral ground.  These were by far my favorite points in the novel, primarily because it served as the perfect space for every major character to come to terms with their position in this “hidden” underworld.  Susan, for example, struggles with what it means to be the only human in a sea of werewolves, and here must contend with worries not only for herself, but also her child and the man she loves, John.  Held uses Susan as a vehicle to show how complicated werewolf social politics can become, particularly if you don’t have the enhanced senses of a werewolf — the senses, in effect, play a crucial role in the werewolf hierarchy.  Though this novel isn’t really about Susan, I appreciated the attempts to give her agency in a situation where she might not have had it because she’s human.  Likewise, the Convocation serves as a developmental tool for Silver, who is the only other character beyond Susan who is disadvantaged because of her body — in this case, because Silver’s wild self has been lost due to silver poisoning.  To read about Silver using her cunning and facial expressions to manipulate those who underestimate her was a thrill, particularly since she is the one character in this whole series who remains at the greatest disadvantage. And it’s that last point that I think is worth exploring further here.  In the first novel, Silver is portrayed as potentially mad, and most certainly unstable.  That her madness is justified by what happened to her is beside the point:  what matters is the fact that Silver’s mental state and her physical limitations are a major source of Silver’s frustration and conflict throughout both novels because other werewolves routinely mistake her limited physical abilities and mental quirks as weakness.  Held continues this theme in Tarnished, giving a fuller sense of Silver’s formidable qualities and establishing her as the one person you really don’t want to cross, even if you have the physical advantage — even Dare realizes this.  It’s not that she’s ruthless, but rather that her physical limitations and perceived mental state make her a target for ridicule and dismissal, which invariably ends up being a mistake, as Silver knows (or learns) how to use her strengths and her disadvantages to benefit herself and the people she cares about.  She’s not always successful, of course, but she is smart.  I applaud Held for including this aspect of Silver’s story in her novels, as it would be too easy to leave behind these developmental elements, but also strangely expected.  Instead, Silver’s character grows — and all for the better.  It feels like Silver is a more secure character — in the sense that Held, as a writer, seems more comfortable writing as Silver.  In fact, this novel seems like a more character driven one than the book that precedes it, giving depth to

SF/F Commentary

A SFF Film Odyssey (2010): The Official List

The following is a list of every film I’m going to watch and discuss/review this year.  These titles will eventually link to posts here or on The Skiffy and Fanty Show.  Keep an eye out as I fill this whole thing up! Note:  if something is missing from the list, please let me know in the comments; I’ve tried to include every sf/f “feature” film released in 2010, but I could have missed something.  I’m also going to go back to some of these films if I have already reviewed them in the past. The full announcement about this project can be found here. Here goes: (“F” denotes a film that did not originate in the U.S.) Alice in Wonderland Alien vs. Ninja (F) Altitude (F) Arctic Blast (F) Arietty (F) Arthur 3:  The War of the Two Worlds (F) Arthur and the Minimoys (F)(Filler) Arthur and the Revenge of Maltazard (F)(Filler) Avalon High Beyond the Black Rainbow (F) Clash of the Titans Daybreakers Denizen Despicable Me Die kommenden Tage (F) Downstream Enthiran (F) Future X-Cops (F) Growth Gulliver’s Travels Harry Potter and the Deathly Hallows – Part 1 FIN Hot Tub Time Machine FIN How to Train Your Dragon FIN Hunter Prey Inception (review; post on emotion; post on emotion) FIN Iron Man (filler) Iron Man 2 FIN Kaboom (F) Legend of the Guardians:  The Owls of Ga’Hoole Mardock Scramble:  The First Compression (F) Megamind Monsters (F) FIN Mutant Girls Squad (F) FIN Nanny McPhee (Filler) Nanny McPhee and the Big Bang Never Let Me Go (F) Percy Jackson and the Olympians:  The Lightning Thief Predators Prince of Persia:  The Sands of Time Rare Exports:  A Christmas Tale (F) Repo Men Resident Evil:  Afterlife Shank (F) FIN Shrek (Filler) Shrek 2 (Filler) Shrek Forever After Shrek the Third (Filler) Skyline Sleeping Beauty (F) Space Battleship Yamato (F) Tangled The Book of Eli The Chronicles of Narnia:  Prince Caspian (Filler) The Chronicles of Narnia:  The Voyage of the Dawn Treader The Chronicles of Narnia:  The Witch, the Lion, and the Wardrobe (Filler) FIN The Crazies The Disappearance of Haruhi Suzumiya (F) The Extraordinary Adventures of Adele Blanc-Sec (F) The Last Airbender The Nutcracker in 3D (F) The Sorcerer’s Apprentice FIN The Strange Case of Angelica (F) The Tempest The Twilight Saga:  Eclipse The Twilight Saga:  New Moon (Filler) Tooth Fairy Toy Story (Filler) Toy Story 2 (Filler) Toy Story 3 Trollhunter (F) FIN Tron: Legacy (Strange Horizons review; mini review) (F) FIN Twilight (Filler) Uncle Boonmee Who Can Recall His Past Lives (F) Universal Soldier:  Regeneration When in Rome Womb (F)

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