World in the Satin Bag

World in the Satin Bag

Why I’m Sick of the Term “Race”

To get into this discussion, I’m going to have to toss out all of my beliefs that there is no such thing as race (a belief Edward James Olmos not only agrees with, but managed to have changed in the United Nations, adding weight to the importance of science fiction in the world of today). The reason is that my disbelief in the entity of race is irrelevant: I and Edward James Olmos, and a handful of others, are a minority; as much as we might tell ourselves and others that the very concept and belief in race is ridiculous and detrimental to society, people still cling to the prospect of race and divisional lines and all those things that operate as othering mechanisms, turning one type of person into “bad” and another into “good.” That is the problem I want to talk about here. I am sick of the term “race” because it is one of the most terrifying forms of multidirectional cultural violence currently in existence that is not only clung to by people who sit in the majority, but by people in the minority as well, in any space on the planet (yes, that means even places where White is not the dominant skin tone). Race is like an infection, and the fact that mankind has struggled so hard to maintain it and use it as a basis for everything, either (perceived) good or bad, is absurd on so many fronts that for someone who tries so hard not to think in terms of race, there is nothing but an impenetrable barbwire-covered wall spanning the great distance between reality and perception. I am sick of the term “race” because of the reality that we cannot think about anything in society without also thinking about race, about othering others, on both sides of the spectrum. “Race” is so much like a virus that it has infected even those who have, in the West, at least, been most affected by the inception of the term. All arguments against the idea of “reverse racism” are veiled attempts to ignore a certain humanistic reality: we all harbor within us the possibility of othering. And that othering is wrong, regardless of the justification. It is no more right to assume another to be “racist” based on their skin tone than it is for another to treat someone of a historically discriminated position poorly (even horrendously) for the same reason. It matters not what reason one chooses to turn another into the other; the very act of doing so is cultural violence, it is the sacrificing of a part of our humanity for the preservation of a systemic knowledge-base that we can only combat by fighting to stop using it. I am sick of the term “race” because the people who have pioneered it as a system, a term, and an institution, and those that followed in the near past, present, and, no doubt, the future, have infected everyone else with “race” and othering and all the terrible things that come with constantly having to think and engage with others based on the idiocy that is “race.” The fact that I have to know how to deal with African American students at a public university tells me that “race” is always waiting to indoctrinate, to feed and attach itself to you, because you cannot escape it, no matter what you do; it is always there, always ready to go. I am sick of the term “race” because it is not only a basis for the unfair treatment of others, but also the basis for forced non-racism: the very accusation of being “racist” causes a stir in most individuals, and, regardless of whether or not one is actually “racist,” their consequential action from accusation is a desperate attempt to prove oneself non-racist, to accommodate the other. But even that, that accommodation, is exactly what is wrong with “race” in the first place, because what you are doing is acknowledging that race is important, that some races are “special” (for good or for bad) and deserve special treatment (again, for good or for bad). You are complicit in the perpetuation of “race” without even knowing it; a good deed, thus, can become yet another factor of “racist” pathology. And I am sick of the term “race” because for all that I have spoken of here, I still have to talk in some format that accommodates the term “race,” that lets it feed like a parasite on my thoughts and on you who are reading this. No matter what we do, we are stuck with the cultural violence of “race,” and to escape that would require an astonishing amount of effort on the part of all people to abolish it from our thinking processes and our vocabularies. In the end, “race” is stupid. It shouldn’t exist. The fact that it still does, not just in the form of “racism,” but in how we engage with other members of the same species, makes me question the value of mankind. And so long as it does exist, it will change and shape how we act with one another, not just in white vs. black, but in all combinations and cross-relationships. There’s a saying from a relatively famous Broadway musical called Avenue Q. It goes something like this: everyone’s a little bit racist, sometimes. The question is, if that is true, where do we go from here?

World in the Satin Bag

Her Fearful Symmetry Giveaway

I thought you’d all love to hear about this: the Regal Literary Agency is having another giveaway of Audrey Niffenegger’s newest hit, Her Fearful Symmetry. If you don’t know who that is, she’s the wonderful writer who brought us The Time Traveler’s Wife, which was recently turned into a major motion picture featuring Rachael McAdams. If you decide to enter, please let them know that you heard about it from me (Shaun Duke). Pretty please! Thanks and good luck!

World in the Satin Bag

Pointless Plot Elements, Convenience, and Fantasy

I was reading something the other day and one of the things that I disliked about it was how the author had gone about plotting his or her novel. Each element to the plot (each action and reaction) seemed too convenient, as if the author had intentionally done those things just so he or she would have an excuse to put two characters together by chapter four. While this may occur quite often in fantasy or any sort of fiction with a discernible plot, what bothered me the most was how obvious the story was about its convenience. This seems like a problem that is very common in fantasy (and, to a lesser extent, science fiction). Too many writers seem to rely on convenience rather than logic or intelligent plotting. For the record, I do not profess to be an expert on how to plot, but am speaking here primarily as a reader; and, as a writer, it is making me very aware of my own novels and stories, so much so that I have started to wonder whether or not there are elements of convenience in my own work (there are). I can’t say I know how to deal with such issues, but it seems to me that the reasonable thing to do is to avoid moments where it is obvious that you are plotting by convenience. If you say “Oh, well if I just do this, then I can put these characters together, and then everything I want to do can be done,” then it seems to me that you’re dealing with convenience. Worst yet, it makes no sense to a reader why you wouldn’t just put those characters together in the first place if you wanted them there anyway. There are factors that make all this obvious; rapidity is one of them. The quicker you try to make your plot happen, the more clear it is to the reader that that is what you are trying to do. The nasty critical side of me wants to point out that this is amateurish; I’ve done it, and where I see it I know that I have done something terrible. Having said all of this, I have no advice whatsoever on how to avoid it. Like I said, I still do it from time to time. The only thing I can think to do is to ask yourself at every plot turn if you’re using convenience rather than logic. If you are, then you probably should think of something else. If you know that someone is going to say “this is terribly convenient,” then it doesn’t make sense to continue going in that direction. But, I want your opinions on this. How many of you have experience this either in your reading or your writing? Let me know in the comments!

World in the Satin Bag

Video Found: Ray Bradbury on Writing

While this is a short video, he offers some amazing advice, not just about writing persistently, but about what makes for a great story, in his opinion. You also get to see him in his boxer shorts, which, for anyone obsessed with his work, is probably a wonderful experience indeed (click the read more to see the video):

World in the Satin Bag

Book Shopping Etiquette

I recently returned from an enormous book sale in the Gainesville area and have a few thoughts on the issue of book shopping etiquette, since clearly nobody at the sale had any idea what etiquette was. So, I have compiled this list of good book shopping etiquette in crowded browsing situations: 1. Form a directional order to sectional browsing. Everyone should go the same direction, aisle by aisle, to facilitate proper browsing for multiple people. Having twelve people coming from all directions doesn’t help.2. Don’t push, crowd, or rush past people who are clearly waiting politely for someone else to move. Honestly.3. Say “excuse me” if you need to get by for some reason. It’s common decency. We used to have that once, when we were still British and knew how to queue.4. Allow people to switch places with you if you are going particularly slow so that they can get to look at the stuff on the other side of you. Snails gum up the works.5. Don’t sit down in the middle of an aisle or near a shelf and start looking through the books you’ve already picked, especially when it’s clear that other people want to browse there. Jackass.6. Don’t take other people’s books. You’d think this would go without saying, but apparently people do this, and I’ll have you know that I will carry a fork from this day on especially for those folks.7. Let the folks who are trying to rapidly restock the shelves do exactly that. At a big sale like the one I went to, where things aren’t alphabetical, those folks rushing in with new boxes of books are just trying to keep the stock fresh. That’s good for everyone, including you, Mr. Book Fanatic.8. Do not bring your infant child to a book sale that you know is going to be crowded and full of boxes with sharp corners. While I may be more than willing to give you leeway, others with more rabid book buying tastes have no qualms bashing your kid in the face with a box or an elbow.9. Let old people go first. They’re likely not looking for what you want anyway, and they’re old.10. Wear deodorant. Seriously.11. Brush your teeth. Other people have to smell your breath in cramped quarters, and someone might kill you as a result… I’m sure there are other good rules, but I’ll let you all think of them. For now, that’s what I’ve got!

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