April 2012

SF/F Commentary

#NaPoWriMo Entry #14: “Not a Poem”

Yes, I have become an emo poet.  Whatever.  Personal bullshit compels me to write things that reflect the confusion crap going on in my head, even if said poems don’t make sense. Do with this what you will… Here goes: “Not a Poem” Quiet chambers dead in night blank, empty of voices: Dead! Dead inside. A rustling — rodent, scourge of the earth. Black pierced by sword eyes. Piercing. Piercing souls, life itself. Empty.  Numb. Numb like the corpses, the mother who loses everyone to a war. Empty. Death streaking on the walls of hearts. The pieces broken, the puzzle collapsed by moisture. Quiet chambers where day and night are suspended by nothing.

SF/F Commentary

#NaPoWriMo Entry #13: “Chickadee”

I don’t feel like prefacing this with a grand explanation.  I’m having a shit day. So here’s a poem I wrote for NaPo.  That is all: “Chickadee” A chickadee fee-bees into the monstrous sea-green sleeves reaching up for the sun: a photosynthesis love song. But no voices hear him, for the grasslands are barren. His voice cries out regardless — fee-bee fee-bee tsit tsit — hoping that the low-flying wind slapping the ingers together will carry his voice to verdant lands — tseedleedeet chicka-dee-dee-dee — where new feathers perform their own journeys. To no avail — they dream for something else than what their lands can provide. That hope sustains his voice like a honey drizzle on the vocal chords — fee-bee fee-bee. But there are no verdan fields and no lonely ones peering out                        for him. He whistles his song until he can no more, until his throad cracks blood, his chest burning, ashen, no longer supporting the moss-tinged air. Who will hear his voice when he no longer sends it out on winds twirling with life? Or does he sing anything at all if there is nobody around               to hear him, like the fable of the tree. The chickadee lies down in the grass, unable, unwilling to speak, silenced by ghosts of unfulfilled promises.

SF/F Commentary

I Would Ride a Unicorn (Maybe Even in a Dress)(Or, Hey, Gender Paradigms in SF/F!)

Fantasy Book Cafe has been releasing some fascinating articles in celebration of its “Women in SF/F” month (thing, event?).  One such article by the always-compelling N. K. Jemisin, entitled “Don’t Fear the Unicorn,” concerns Jemisin’s personal struggle with the culturally-imposed gender paradigms in genre fiction.  Specifically, girly unicorns of girly-ness on the cover of Steven R. Boyett’s Ariel.  I recommend you read the entire article, but for the sake of context, here’s a juicy quote: So I wasn’t going to pick up Ariel because OMG unicorn no. But there was something else on the cover of that book next to the unicorn: a boy.  I remember staring at that book for several seconds of full, total “does not compute” shutdown. My brain just couldn’t handle the paradox. Unicorns equalled girliness. Boys, however, signalled action and adventure and toughness and purpose. Boys don’t do unicorns. Girliness =/= purpose. Danger, Will Robinson, danger.  Then I clearly remember thinking, but I’m a girl.  And that was it. It wasn’t an especially shocking realization, but it was a profound one. In that moment I began to understand: the problem wasn’t that some books were infested with girl cooties; the real problem was my irrational fear of girliness. And myself. Hopefully that explains why the title of this post involves the willing emasculation of my male self  both by unicorn riding and cross-dressing.  Not that I would ever do either (we live in the real world, folks, so this whole cross-dressing unicorn rider of doom nonsense is just a fantasy I will never see fulfilled). But the point is that I too find these paradigms rather disconcerting, except in retrospect.  While Jemisin seems to have discovered the idiocy of the girl/boy split and the wickedness of girl cooties at a young age, I didn’t discover such a thing until maybe my early twenties.  I blame part of that on the culture around me, wherein being an RPG-playing, video-game-loving, Magic-the-Gathering-obsessed super geek (we drank Citra by the box — you remember Citra, right?) constituted some kind of penis-wearing female surrogate monster (like an android without genitalia, or, maybe, with male genitalia, since we menfolk have this odd obsession with feeling inadequate to the task of “mating”).  Growing up, then, put me in a bizarre position of trying to pretend that I was “man enough” to be considered a “man” (or young man, depending on my age), thereby legitimizing my hard rejection of anything associated with the female species (even when such things are, in fact, gender neutral — dancing, for example, is only “girly” because men are too damned stupid to realize that most forms of dancing don’t actually work without a partner; partners could very well be of the same sex or either sex — such is the silliness of girl cooties). Today, I’ve thankfully set a lot of this crap aside.  Perhaps it has something to do with recognizing (and learning) patriarchy in our culture.  Perhaps it has something to do with a desire to access “girly things” because I happen to like them (hey, a good romance is, well, good, and I’m going to cry at the end of a tragedy or whatever because it’s sad; so bite me).  It might also have something to do with my semi-bi-sexual-ness (yeah, I’m admitting that in public on a blog; I’m as confused as you). Whatever led me to this conclusion — to the desire to ride a unicorn in the dress because I should be able to do so without getting ridiculed for being “a girl” (because it ain’t a girl thing; it’s a human thing) — I am thankful to see people like Jemisin challenging the assumptions of gendered identity.  There’s no such thing as a “domain of *insert sex here.*”  Women like sports; men like sports.  Men like cooking; women do too (and on that front, I have to ask:  has anyone else found it utterly absurd that the most sexist of us all can say “women belong in the kitchen” without recognizing the irony that some of the best cooks are men?  Some are women too, of course, but anyway…). Jemisin, of course, is right.  We’re all sexists.  We’re raised in a sexist society.  And we should challenge those behaviors when we become aware of them, not because it will suddenly make us non-sexist, but because it will help us make a fairer world.  That applies to our reading practices.  If a book has a unicorn on it, give it a shot.  You never know.  It might be the most amazing book you’ve ever read.  But you’ll never know if you don’t pick up that book, look at the blurb, and give it a shot. That’s what I’ve got to say on that.  The comments are yours.

SF/F Commentary

#NaPoWriMo Entry #12: “Temples”

Today’s NaPo poem was not actually inspired by the picture in this post.  Rather, it was inspired by some random thoughts I have about cats, which includes thinking of them as slave masters.  The poem isn’t explicitly humorous, though. In any case, here’s the poem (feel free to leave a comment with your thoughts or a link to your own NaPo entry): Bow before your master… “Temples” I dream the sun swept me away on a cruel wind tide with twisted fingers of porous stone creaking and graceful sunbolt hands lifting me to a heaven                                   yet written in the histories. Not Death’s vision, but the serene whisper                                   of a higher plane. The cats known the place by its temples, where they collude to one day return with men clipped at their feet —                                   No, paws.  Claws.                                   Whichever. Terrible the feeling of loss, but the cats are emperors in their minds and they have no dreams but those they bring back (in black)                                   to the old Empire. Rule, Britannia.  Britannia rules the waves… Perhaps it should be Catannia rules the graves. Or perhaps it’s a pernicious psychosis which explains my distrust of cats. (Or, they are truly up to no good,  clambering on clawed limbs in nostalgic obsession). How alike, the cats and empire, ever so sure of themselves, sure of me                                   sure of the winter bones                                   left behind by their soon-armies. My mother says I have an over-reactive imagination (or is it hyperactive, like a feline enemy), but to read between the lines of my dreams                                   tells me “Doom.” The tricksters have finally come to play…

SF/F Commentary

#NaPoWriMo Entry #11: “Deferred Dreams in the Snowglobe”

I don’t feel like prefacing this with an explanation.  So I’m just going to get right to it: “Deferred Dreams in the Snowglobe” I prepare myself to pack away my dreams into the snowglobe of a lost memory. Our fingers intertwined, like beds of fallen leaves warming a frosty earth. The little laughs shared in stone courtyards, where too many feet have marched to the sound of war drums — our laughter replenishes the weary souls trapped in a moment of history. The way your eyes gleam when I kneel, even though I always said I wouldn’t because it’s too cliche and we should strive to be something more than that. But I couldn’t help myself, the dreary winter rain of England trapping moisture in my cargo pants as the words slip from my tongue and the oath slides into place. The tears we share together that night when your lips offer affirmations and our nervous smiles betray our joy to the voyeurs of the world. The single joyous moment when you cross the threshold on the arms of an angel; I stand there, sweaty palms, my crazy mother in the corner sobbing over a grin — we both know she’s lost her marbles in all the right ways — and words are exchanged under an arch of artificial flowers — because you’re allergic to the real deal and I made the day just for you so you’d always remember… The first moment when your worried face shows me the right colors/lines/truths in the third plastic stick you’ve tried. I hardly contain my excitement, like a child getting the right toy at Christmas, but always and forever, every day and thereafter, and then I’m running across the parking lot, screaming at anyone who will listen, even if their faces betray my absurdity. I sweep you up into my arms with a thousand kisses and thank yous. We were happy that day. The birth, the growth, and the sudden realization that there are so many things nobody ever told us about anything we should have learned about when we were younger. There are fights and bitter remarks, pain and tears and too much food in places it’s not supposed to end up… But at night we read little stories — I do all the voices, and you try not to laugh at how ridiculous I sound — and battle the wits of the young in the grand game of sleep politics. We soldier through, because the little troopers with unusual names we’ve concucted in the imagination of love need us as much as we need them. We remind ourselves that we can handle it. Our mothers remind us that they’ll gladly donate their services. The little hand of a raggedy boy squeezing the life out of too many imaginary demons in the woods out back. Somewhere his sister plays with her dolls, or maybe she’s squeezing imaginary demons too, perhaps in solidarity or because she’s too much like her monther when she was young. He’s a right pain in the ass — so much like his father (or mother, or both) — and she’s a royal princess who isn’t sure she wants to be a princess at all. But we make do, because there’s something about this journey that reminds us we’ve still got a long way to go before we reach whatever great epiphany awaits the end… The demon-smashing boy brings his own demon-smashers to the party, and before long the demon-smashers are followed by more. Whatever we think about the choices the original demon-smashers made, we’re too happy to have more demon-smashers in our little cottage in the country to care — or little house in the city, depending on how our dreams turned out. So our living room is filled with toys and our guest bedrooms turn out to be perfect havens for the new demon-smashers to rest off their demon-furies. We read them bedtime stories, too, and tell their parents that we’d happily donate our services. The former-demon-smashers smile at us, because they remember when they too were fodder for the services of the elderly. The first time you really realized that we have grown far too old, but that we’re still just as happy as we ever were, even with the wrinkles and dwindling health. We spend our days in the living room, reading books, watching TV we don’t understand, remarking on how when we were younger we never got into all that whatsamacallits and some such whatever majigs. The former-demon-smashers roll their eyes when they’re privvy to the conversation, but sooner or latter, they’ll get it too. Somewhere in all of this, you’ll own that little bookshop I told you about when I made up that ridiculous story. Tinkers and Pages Magical Emporium of Tinker Toys and Books: you’ll call it that because I came up with the name in a fit of imagination, and you can’t help yourself, after all. We’ll throw our life savings into it because it’s what we want to do with the rest of our long, beautiful lives. We’ll be giants in our own little world, so sure that the trees beneath our feet won’t prick us into submission. All these thoughts, like sunbursts of color spreading outward into a fan of possibilities, slip down from the tip of a wand into my own little pensieve, the wizard love song that was always ours dwindling away in the background where the shadows encroach — shadows of what used to be, of the demon-smashers and their adorable grins… In the snowglobe, I see the futures we might have had lying in wait, perhaps to be drawn out again, or deferred for another day. But whatever days are lost in the memory of you, I’ll hold the snowglobe in my pocket, a bookmark for one moment of wonder.

SF/F Commentary

#NaPoWriMo Entry #10: “Feather Skies”

Hooray for poems about birds!  Nature rocks. Today’s poem was inspired by the following: Brownie points for anyone who can figure out what kind of bird that is… Here’s the poem: “Feather Skies” The warbling Northern Mockingbird chirps a stranger’s tune, acid words spilling from his beak: “HUMAN…Human…human…safe!” Others announce my arrival in turn, turning their beaks to the side so their blackberry eyes can see the world beneath their wings. “human…Human…HUMAN!” I watch them, curious at their undying attention, like the reverse end of a lover’s coin. “Human…human…safe!” Who am I to these air sirens? Who do I become in their eyes? “Move away…Move away…Move away now…” There, the mother hen clucking her little orders; There, the little whisper of the Earth mother serenading the world with wild harmonies. “human…Human…HUMAN!” I look in their beads of ethereal visions and see myself reflected as if by an ocean. “Human…human…safe!” And in that moment, I see myself, the bird man waiting to fly on skies of upturned buckets, toes wriggling in the fog where feathers play.

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